Intempt Technologies

AI Design Enginner at Intempt Technologies (India). Listed on Wellfound.

DevSecOps Engineer at Intempt Technologies (India). Listed on Wellfound.

Senior Platform Engineer (Java) - Data Infrastructure at Intempt Technologies (India). Listed on Wellfound.

₹5 to ₹7

Most people meet Intempt through a character before they meet the software. Blu is our AI agent, and Blu has a face - seven agents, each with its own locked identity, drawn as characters rather than picked from an icon set. Underneath that sits a real design system: a logo family built from cutout marks, a four-dot signature, and a motion rule that every animating state has to resolve by snapping back into the intempt mark. Somebody drew all of it. We're hiring the person who draws what comes next. This is a classic craft seat. Type, composition, color, illustration - the fundamentals, at a level people notice and copy. It is not a product UI role: interface design has its own owner on the Product team. You own how Intempt looks everywhere else. Brand, campaign, editorial, illustration, and the mascot family itself. You work as a two-person creative pair with a Video Editor and Animator. You draw it, they make it move. Both seats are open, and whoever lands first helps pick the other. **What you'll own** - The Blu identity family - extend the locked mascot set and keep new agents on-model with it - The illustration system behind campaigns, blog art, launch assets, and free-tool pages - Type and layout craft across the site, decks, one-pagers, and print collateral - Still applications of the four-dot signature - logo family, app icons, product lockups - Files a motion designer can actually animate - layered, named, and built to move - The visual bar for everything that leaves the company, including work that isn't yours **You are** - 4+ years as a graphic designer on top of a real art or illustration foundation - art school, fine art, or a self-taught body of work you can show - Someone whose portfolio has drawing in it, not only Figma frames - Deep in type - you can say exactly why a setting is wrong and then fix it - Fluent in the craft tools and just as comfortable drawing by hand or on a tablet - A systems designer, not a poster designer - you build families that hold together - Opinionated about character design - a mascot has to read at 24px and survive a billboard - Willing to be the only person in the room saying the layout is off

₹5 to ₹7

Blu moves. The four-dot signature runs through verb states - Thinking orbits, Generating blooms, Painting lays a stroke, Sending ripples, Analyzing scans like a bar chart - and every one of them has to land by snapping back into the intempt mark. That rule is the most-iterated decision in our design system, and it respects reduced-motion everywhere. You own making it look inevitable rather than animated. This is a craft seat, deep in the timeline and the graph editor. It is not a directing role - our Creative Director owns shoots and camera direction. You own the edit and the animation: cut, pace, sound, motion design, and character animation for Blu and the agent family. You work as a two-person creative pair with a Senior Graphic Designer. They draw it, you make it move. Both seats are open, and whoever lands first helps pick the other. **What you'll own** - Edit long and short form - product films, launch videos, founder stories, customer stories - Motion design and animation: the four-dot verb states, interface motion, kinetic type, transitions - Character animation for Blu and the agent family - rig them, move them, keep them on-model - Sound - mix, music, and sound design that doesn't announce which library it came from - Product capture that actually reads: screen recording, zoom paths, callouts, speed ramps - A project structure anyone can open and navigate to the shot without asking you - Per-platform delivery specs without recutting from scratch each time **You are** - 4+ years editing and animating - both, at depth. Not editing with a motion plugin bolted on - Someone with a reel we'll watch to the end, containing animation you keyframed yourself - Deep in After Effects - expressions, graph editor, rigging, shape layers - Strong on a timeline in Premiere or Resolve, with sound treated as craft and not cleanup - Tuned to weight and timing - you can argue why 12 frames reads better than 8 - Able to animate an illustrated character, not only type and shapes - Fast. A cut lands in days, not on a six-week pipeline - Bonus: Blender or Cinema 4D, and Rive or Lottie for interface motion

Website and AEO Marketer at Intempt Technologies in India. Apply via the listing source.