Video Editor & Motion Animator

Blu moves. The four-dot signature runs through verb states - Thinking orbits, Generating blooms, Painting lays a stroke, Sending ripples, Analyzing scans like a bar chart - and every one of them has to land by snapping back into the intempt mark. That rule is the most-iterated decision in our design system, and it respects reduced-motion everywhere. You own making it look inevitable rather than animated. This is a craft seat, deep in the timeline and the graph editor. It is not a directing role - our Creative Director owns shoots and camera direction. You own the edit and the animation: cut, pace, sound, motion design, and character animation for Blu and the agent family. You work as a two-person creative pair with a Senior Graphic Designer. They draw it, you make it move. Both seats are open, and whoever lands first helps pick the other.

What you'll own

• Edit long and short form - product films, launch videos, founder stories, customer stories
• Motion design and animation: the four-dot verb states, interface motion, kinetic type, transitions
• Character animation for Blu and the agent family - rig them, move them, keep them on-model
• Sound - mix, music, and sound design that doesn't announce which library it came from
• Product capture that actually reads: screen recording, zoom paths, callouts, speed ramps
• A project structure anyone can open and navigate to the shot without asking you
• Per-platform delivery specs without recutting from scratch each time

You are

• 4+ years editing and animating - both, at depth. Not editing with a motion plugin bolted on
• Someone with a reel we'll watch to the end, containing animation you keyframed yourself
• Deep in After Effects - expressions, graph editor, rigging, shape layers
• Strong on a timeline in Premiere or Resolve, with sound treated as craft and not cleanup